Digital Photography Tips For Camera Power Accessories

Power accessories are important tools that all photographers consider. Regardless of the level of photography or the level of work you do, accessories come in handy in all areas of digital photography. Cameras are slick little devils, which sometimes slip from your hands; therefore having the right accessories, such as the power SLR grips can save your loads of headaches. Why buy aspirins when you can take care of the problems before they arise.

Choosing the right accessories is a job in itself, however if you know what you are searching for then the job is less demanding. Therefore, we have outlined a few accessories offered as well as tips as to which accessories are better choices than other accessories are. The tips are in between the lines, since it is up to you to decide what the better choice is since no one knows your needs like you do.

Gripping the camera
The power accessories include the SLR power grips, battery packs, battery types, and motor drivers. Power grips are an accessory that grips to the camera while giving you an extra handle on things. This can come in handy when you are awkwardly coordinated, or trying to handle multi tasks.

Battery Types
Battery types are essential, since if you are taking pictures and your batteries are low it can interrupt your workflow. The newer batteries for cameras are rechargeable, thus you can charge them overnight and take countless of pictures during the daylight hours, or vise versa.

Packing the Batteries
Battery packs are optional to standard camera batteries. These battery packs can make your journey easier, since the packs function on double A batteries and is far more ready than standard batteries used in cameras.

It is your choice, whichever power accessory you select, however choosing wise is choosing the power that will make your camera journey last.

Supporting Cameras
The nicety about having a tripod is that you can use the stand to seat your camera while angling at the scene and bam you have a picture. Cameras, which you can set at a time to shoot a picture, are also handy, and work well with tripods. Camera support is another issue, yet it revolves around the same thing. Camera supporters include the Tripods, which can make your camera stand on legs. Some of the pods are versatile which makes your moving shots more easier to get to along the journey of shooting photos.

The common tripods used today are the standard, SLR, carbon-fibre and the studio based pods. Still, this is only a small list. The SLR tripods are widely used by professional photographers and come in a couple different styles. Amateurs often use the standard tripods, yet these pods are handy accessories, since they do the job intended while allowing the photographers hands-off to handle other tasks. The carbon-fibre is often used by those traveling while shooting photos.

Overall, when considering tripods make sure you consider what you need to handle your jobs as well as the size of your camera. If you camera is bulky and larger than the common smaller cameras be sure to consider the carbon-fibre. If you are operating studio using large equipment, you will need to consider the studio-based tripods, since these are designed to handle large equipment.

For more help on finding accessories that suit your photography needs, consider researching the marketplace, since additional information is available to you. You never know, researching could land you the deals of a lifetime while helping you to see more into the details of camera and studio accessories.

Comparing and Choosing the Right Photography Camera to Buy

Needless to say, your first instinct is going to be to start comparing the different cameras available in order to pick out the best photography camera within your price range. While this is a laudable and logical approach, the fact of the matter is that they’re simply too many cameras out there for you to reliably compare each and every one.

Fortunately, nowadays there are websites that can help you do that. By simply heading over to Google and looking for websites that offer comparisons between the specifications of various cameras, you’ll find that buying cameras is a whole lot easier. Most of these sites also include reviews and tips from people who have already purchased the cameras themselves — and this could help you narrow down the photography camera of your choice even further.

Of course, even with such sites you’re going to need to start making a few decisions on your own beforehand. For example, are you looking for a ‘point and shoot’ camera or a SLR? What is the budget that you’re operating with? What do you expect your photography camera to contain by way of features? Knowing exactly what you want is going to help tremendously when buying cameras.

End of the day, if you know what you want and then compare your options, you’ll find that you’ll have narrowed down your choices to the point where you should be able to pick a winner from whatever remains. Keep this in mind when you go out to buy a camera — it could be the one piece of advice that will save you a whole lot of hassle!

liminate Camera Shake In Nighttime and Long Exposure Photography

In a previous article, I talked about how camera shake is your enemy in shooting photos at night. The reason being that camera shake introduces out of focus blurring that will mess up ANY long exposure shooting – not just at night.

The blurring may not be noticeable in smaller prints, but if you want something for the wall – you may find that shot you were so proud of isn’t any good at all!

In the first “anti-camera shake” tip I said you would need a tripod and that you should shoot with a timed shutter release or use a bulb. In this way you don’t introduce shake by depressing the shutter button.

Now for one last camera shake removal technique – most of the higher quality DSLR’s and SLR’s have a feature called the “mirror lockup”.

This is another photo tip that very few of us use, but it can make a big difference.

If you didn’t know, here is how it works… When you are looking through the viewfinder you are not looking directly through the lens. You are looking at a mirrored reflection. Actually it’s two reflections. It’s these reflections that turn over the image and let us see it the way it is… not upside down.

Light goes in through the lens, hits a mirror at 45 degrees, then bounces up into the viewfinder and off another prism surface and out into your eye.

That first 45 degree mirror is actually in front of the shutter and has to be lifted out of the way when the shutter is opened to let in light. The lifting and dropping of the mirror is that clicking sound you hear when you depress the shutter button.

That lifting motion causes camera shake. Admittedly it’s not very much, but enough to introduce blur.

When you are all set to take your tripod mounted, timed release, long exposure shot… lock up the mirror. This does exactly what it sounds like it does; it lifts the mirror, and locks it in place so there is no movement when the shot is taken.

BTW – After you lock up the mirror, give it a few seconds to let the camera settle before you shoot. There will be minor vibrations for a little while.

Don’t know if your camera has this feature? Check the manual! You shouldn’t have ANY buttons, switches or knobs on your camera that you don’t understand! They are all there for a reason.

If you want really good long exposure photographs – use a tripod, trip the shutter with a timed exposure and lock up the mirror. Then, as long as you don’t trip over the tripod, you will have amazing night time photography